Speaking of Shakespeare Link

Current Events

The Guild is now presenting A Midsummer Night's Dream in association with the Santa Fe Botanical Garden. For details and ticketing options about a show that has been warmly welcoomed, click here. For background on the production, see Jennifer Levin's article about "The Ecology of Shakespeare" in the August 17th issue of Pasatiempo. You might also enjoy listening to KTRC host Richard Eeds' August 4th conversation about "A Midsummer Night's Dream" with the Garden's Clayton Bass and the Guild's John Andrews; you'll find a link to it here.

To encourage local audiences to help sustain the work of a playwright who's now in his 453rd year, we've established a
Bardtenders support group for SHAKESPEARE IN THE GARDEN. And we've offered cultivation events such as a TLC dialogue that took place Tuesday, July 31st. This gathering, under the auspices of Theatre Santa Fe, followed such festivities as a March 29th Food for Thought dinner at La Fonda on the Plaza and a May 29th benefit, Ever the Twain, which took place at the Lensic Performing Arts Center. Under the direction of Lois Rudnick and Jonathan Richards, this revival of a fantasia that had enchanted theatergoers in January 2016 was enthusiastically applauded, and plans are now underway for additional presentations in other settings.


We look forward to launching the 2018-19 season of our signature SOS series in Manhattan with four remarkable evenings at The Players in September. On Monday the 17th we'll talk with Stephen Segaller, WNET's Vice-President for National Programming, producers Richard Denton and Nikki Stockley, and such special guests as F. Murray Abraham about Series Three of Shakespeare Uncovered, a production that will air the first of its six concluding PBS installments in October. A week later, on Tuesday, Wednesday, and Thursday, September 25-27, we'll join the Players Foundation to host a stage reading of The Lives of Shakespeare, a new triology by playwright Mary Jane Shaefer about the themes that connect playwright's biography with his professional career. All four of these evenings will commence at 7 p.m. and will be admission-free and open to the public.

Meanwhile, we're savoring evenings such as the one with New Yorker favorite Adam Gopnik that took place on Thursday, June 14, at the National Arts Club in Gramercy Park. We'll soon be announcing new attractions, among them stimulating programs not only at the NAC and The Players but at additional venues in New York and elsewhere.

We opened our recently-completed roster of SOS engagements on Friday, October 6, with educator Joanna Read, who heads the London Academy of Dramatic Art (LAMDA). A few days later, on Wednesday, October 18, we enjoyed a delightful evening with Washington Post theater critic Peter Marks. Then on Monday, November 6, we talked with WNET executive Stephen Segaller, who previewed this spring's attractions in a series called Shakespeare Uncovered, a three-year, 18-episode co-production with the BBC that provides charming introductions to the most popular plays in the dramatic repertory.

On Monday, January 29, we focused on the inspiring efforts of Stephen Burdman, founder and artistic director of the New York Classical Theatre. Three days later, as part of a February 1 luncheon gathering at the Woman's National Democratic Club in DC, we chatted with actor and director Keith Baxter, who was delighting Washington audiences in three roles (the Ghost, the Player King, and the Gravedigger) in a production of Hamlet that highlights Michael Kahn's concluding season as Artistic Director of the Shakespeare Theatre Company. One of our attendees, Leslie Weisman, generously shared some reflections on the portion of that conversation that focused on Orson Welles, the actor, director, and producer with whom Mr. Baxter worked when he portrayed Prince Hal in Chimes at Midnight, a 1966 film classic that starred Welles as Falstaff and Sir John Gielgud as King Henry IV. On February 28 we returned to Manhattan for a memorable NAC evening with with producer Eleanor Bergstein of "Dirty Dancing" fame. On March 20 we hosted a gathering at The Players with artistic director Jesse Berger of the Red Bull Theatre. On April 18 we were back at the NAC with cultural historian Edward Tenner. And on May 15 we repaired to The Players for a wide-ranging discussion with renowned director Sir Richard Eyre, whose scintillating production of Long Day's Journey into Night had just opened at BAM's Harvey Theatre with Jeremy Irons and Lesley Manville in starring roles.

For links to highlights of previous seasons, click here.


A few months hence the Guild will be naming the recipient of its 2018 GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Meanwhile we're delighted to note that on Sunday, October 15, the Guild bestowed this prestigious honor on playwright David Hare. Sir David is the first dramatist to receive a Gielgud, and attendees were deeply moved by the eloquent remarks he delivered as he accepted this year's beautiful Clive Francis trophy. The ceremony took place as part of a UK Theatre Awards luncheon in one of London's most legendary institutions, an edifice Shakespeare refers to in Richard III. And as usual it received extensive media coverage, with illustrated stories in such news sources as Broadway World, What's On Stage, The Stage, and Theatre News.

For more detail about the Guild's 2017-18 programming, click here. If you wish to join and receive periodic updates from The Shakespeare Guild, we invite you to visit our MEMBERSHIP page for types of affiliation. There you'll find a link to a page where you can register for events, enroll as a Guild member, or provide a tax-exempt DONATION.