We're delighted to announce that our 2016-17 series will commence at 8 p.m. on Wednesday, September 14, with a remarkable brother-sister act. One of our most popular SPEAKING OF SHAKESPEARE guests over the last decade and a half has been Adam Gopnik of the New Yorker. Many of Adam's admirers are unaware that his sister Alison, a professor of psychology and philosophy at the University of California, Berkeley, is also a distinguished author, and one who publishes a widely read column in the Wall Street Journal. Her latest book is one that focuses on the importance of play in early childhood development, and a preview of it appeared recently in the New York Times. Alison and Adam Gopnik occasionally allude to each other's work, but it is rare for them to appear together in conversation. As usual, the Guild's John Andrews will preside over the discussion, and we expect a good deal of audience participation in what promises to be another engaging event at the National Arts Club in New York's Gramercy Park. Details will follow, as will information about upcoming programs.
Meanwhile we're savoring our most recent gathering, a delightful "Speaking of Shakespeare" program on Monday, June 20, at the National Arts Club in New York. Our guest was Peter Holland, who holds the McMeel Family Chair in Shakespeare Studies of the University of Notre Dame. Professor Holland is one of today's most prolific and influential scholars. He edits what is widely regarded as the most prestigious periodical in the field. He produces authoritative editions of Shakespeare's works. He oversees "Oxford Shakespaeare Topics," an indispensable collecction of reference volumes. And he has written elegant program notes for numerous productions at the National Theatre, which has enjoyed a golden age under the aegis of artistic director Nicholas Hytner, who studied under Dr. Holland at the University of Cambridge.
We had to postpone two engagements that ware on the NAC calendar for January (with the Folger's Janet Alexander Griffin) and for March (with the New Yorker's Adam Gopnik). But we enjoyed a Washington luncheon near Dupont Circle on Tuesday, February 23, with Diana Owen, director of the Shakespeare Trust, and a Manhattan gathering the next evening at the National Arts Club with Peggy O'Brien.
On Monday, March 28, at the NAC, we talked with Karin Coonrod, an acclaimed director who previewed a July production of "The Merchant of Venice" to be presented in the city where Shakespeare set his gripping tragicoomedy. For details about this historic engagement, see David Laskin's article about the Venetian Ghetto in the New York Times. On Monday, April 18, we chatted with Ralph Alan Cohen of the American Shakespeare Center; a few weeks later, on Monday, May 23, we enjoyed a delightful evening with Kiernan Ryan of the University of London. Between those NAC engagements we joined the Santa Fe Opera Guild for a program in New Mexico on Tuesday, May 10, that previewed this summer's presentation of Charles Gounod's Romeo et Juliette.
To mark "Shakespeare 400," a global commemoration of the playwright's life and legacy, we've been offering a variety of attractions, not only in Manhattan and Santa Fe. but in the Nation's Capital. Several have focusd on the Folger Shakespeare Library, which is marking the occasion with a national tour of First Folios from its incomparable holdings. For background on this generous initaitive, which was previewed on NPR by Susan Stamberg, visit the website of Albuquerque station KUNM, where you'll find several links of interest, among them one that will permit you to hear Spencer Beckwith's conversation with Mary Kershaw, director of the New Mexico Museum of Art, and Guild president John Andrews. Among the dozens of activities in La Tierra Encantada that reinforced the Folio exhibition in February were two that involved the Shakespeare Guild. The first, on Sunday, January 31, at the Lensic Performaning Arts Center, was "Ever the Twain," a revel about Shakespeare in Mark Twain's America that Craig Smith described in the Santa Fe New Nexican's Pasatiempo supplement. It played to an enthusiastic, sold-out house, and photographic highlights of it were captured by Steve Rudnick, whose wife Lois co-wrote the script with Jonathan Richards. A second Guild-related event, on Friday, February 19, at the St. Francis Auditorium, was a discussion with biographer Stephen H. Grant about how the world's largest repository of Shakespeare folios ended up on Capitol Hill. For background on that event and on several related offerings, including Thomas Leech's charming display about "Willy the Kid" at the historic Governor's Palace, visit KSFR's "Santa Fe Radio Cafe" and listen to Mary-Charlotte's program for February 17. And for a leading critic's perspective on an eventful month in La Tierra Encantada, see James Keller's remarks in Pasatiempo.
We'll soon be announcing the recipient of our 2016 Gielgud Award, to be presented in London's venerable Guildhall on Sunday, October 9. Last autumn we were in that beautiful ssetting for a Gielgud ceremony that took place in conjunction with a gala UK Theatre Awards luncheon on Sunday, Octover 18. Our 2015 trophy went to Dame Eileen Atkins, an artist whose versatility both as an acclaimed performer and as a gifted scriptwriter has become legendary. Presenting the 2015 Gielgud Award was our 2008 honoree, Sir Patrick Stewart, and among the many things that made the occasion special was the fact that it occurred only three days after the 94th birthday of a visionary leader who estasblished Actors From The London Stage, an influential educational program with which Sir Patrick has been associated from the outset. AFTLS is now celebrating its 40th anniversary, and the Guild saluted this milestone with a special tribute, not only to a highly influential initiative and its founder, Professor Homer "Murph" Swander (center, at a 1998 London reception with John Andrews and Sir Derek Jacobi), but to everyone who has been involved with the outreach it represents, among them such dedicated administrators as Alan and Cynthia Dessen, Peter Holland, Scott Jackson, and actress Eunice Roberts (pictured here in a Matt Humphrey photograph with Sir Patrick Stewart and the Guild's John Andrews).
For information about the first half of our 2015-16 season, which featured programs with John Lahr and James Shapiro, click here; for links to highlights of previous seasons, click here. If you wish to join and receive periodic updates from THE SHAKSPEARE GUILD, we invite you to visit our Membership page for types of affiliation. There you'll find a link to a page where you can enroll as a member, book for upcoming engagements, or do both.